![]() The nature imagery in a lot of the poems is more direct than a lot of poetry that uses nature as imagery and metaphor, which may or may not be your thing, and some of the poems I found didn’t quite work for me in their simplicity, but that’s often true in collections. ![]() The poems have a straightforward style and some memorable imagery (I think “holding out own internalized / homophobia like great big onions / in our hands” was my favourite, or at least the one I remember most now), but for lots of people will have relatable moments encapsulated within. ![]() What We Lost in the Swamp is a collection of poetry exploring youth, growth, being a queer teenager, nature, and jealousy, amongst other things. ![]()
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![]() Story of animals that live in water, how they breathe, eat, etc. Strange facts about the creatures of the sea which so Fascinate children, Author tells how they see, Hear & Eat. ![]() Bronson has been staff artists on 4 Scientific. Endpapers Former Owner Inscription & Title Page Name Date in light Writing, Mr. ![]() Dust jacket has rub & small pieces missing from spine, edges, & corners extremities, 9 x 6-1/2 in., Scuff & Rub along Spine DJ Edges. Interior Very Good light rub, wear light FOX, Wear. ![]() Gift inscription & name on front end page & title page. 1st edition, Pictorial Boards Hardback with Black cloth spine with tiny chip, front cvr Duplicates DJ illustration, BK GOOD+ in FAIR Dust Jacket light rub, wear small chips Tears Edges Slight Rub to board & spine Cover edges Extremities. ![]() ![]() They're going to be in your shit for a few months (Laughs) and it probably could be aggravating unless you go with someone you really respect. What is the process for finding a screenwriter for one of your books? Is it like finding a spouse for one of your kids then?ĭennis Lehane: No, I think it's more like finding a really good contractor to work on your house. ![]() There was a quote from you that I read where you said that you wouldn't want to adapt one of your own novels because it would be like operating on one of your own children. ![]() I have no problem walking away and leaving a bunch of money on the table. The secret of my success is refusing to get involved with anybody who doesn't have a certain level of quality. I wanted to be involved with really good people and I wanted to have conversations with those really good people about talent and that was sort of the limit of my contribution to things. I just wanted to be involved as a producer because, at that point, I didn't have Shutter Island for several years and gotten it back, gotten the rights back, and I wanted to protect this a little bit. Can you talk about that experience working with everyone on the film?ĭennis Lehane: Oh, it was great. ![]() This is the first film that you are on board with as a producer. ![]() |